Il Vino Nobile

Exploring the Glory of Italian Wine from Across the Pond…

Fuso Barbera (2010)

fuso-barberaFor professional wine writers, who have the time, resources and desire to do the whole blind tasting thing, price and value are not supposed to play into how they perceive a wine. For the rest of us, however, it’s usually impossible not to bring this to mind.

Which brings me to this Fuso Barbera. It was a Thursday night, after a particularly trying week, and though we typically reserve most of our heavy wine drinking for the weekend, we decided to splurge a bit and cracked open this red to go with some chicken & pesto pasta. I knew this wine only cost me $10, so it was a good mid-week wine choice, and I figured Barbera was versatile enough to go with a ligther dish.

This is everyday, mid-week wine at its very best. Bright, vibrant, lots of red fruit, terroir-driven, acidic enough to be versatile with food, and downright cheap. What more can one ask for?

I can’t, nor will I try to, separate this wine from it’s price. Nor do I believe I should, because this is a killer bargain. This is one of those “rush out to get another 1/2 case” kind of wines. If I were the type to have a “House” wine, this would be my new one.

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Rocca dei Sanniti Aglianico del Taburno (2006)

rocca-dei-sanniti-aglianico-taburnoI came across an article the other day entitled “Aglianico: Italy’s rising grape” or “next big grape” or something along those lines (sorry, don’t remember where). This concept makes some kind of sense, given that Aglianico is one of the key traditionally indigenous Italian grapes, yet doesn’t seem to carry the same respect that Nebbiolo or Sangiovese gets outside Italy. So, the potential for growth exists.

That said, it’s hard to imagine Aglianico taking off as the next big thing, at least in the US. It just doesn’t make wines that match to the current American consumer palate. (Yes, I am speaking in generalizations.) Most people respond to big, fruit-forward, high-alcohol, sweeter wines such as Napa Cabs, Cali Zins, and Aussie Shirazes, and this simply is not what Aglianicos typically taste like.

Instead, this grape from Southern Italy tends to create rustic, often austere wines that promote earthy over fruity, with balanced alcohol, vibrant acidity and harsh tannins. They feature savory notes like tar, dirt and tobacco, often showcasing that classic wine snob descriptor “scorched earth”.

You won’t here me complaining about Aglianco’s lack of marketability to the American palate – that keeps the prices low for people (like me) who love the earthy, savory notes and food-friendly balance that this wine consistently brings. (I won’t get cocky though — I’ll bet there was some schmo saying this same thing about Barolo 10 years ago. )

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Rocca di Castagnoli Chianti Classico (2006, 2008)

Rocca-di-Castagnoli-chianti-classicoChianti Classico is widely available from a large list of producers, so it can often be daunting to decide which to buy when dealing with the unknown. This can be even more difficult if you, like me, prefer to deal outside the well-known, widely available brands. Sometimes you just have to take a chance on a single bottle of a brand you’ve never heard of, and build knowledge from there.

Perhaps a more reliable method of purchase is to focus on vintages. 2006 and 2007 were considered to be great vintages in the region, and my experience certainly backs up that assertion. These wines tend to be richer, rounder and fuller, still featuring vibrant acidity, but in a balanced way that can be enjoyed with or without food. The 2008s, on the other hand, tend to be thinner and more assertively acidic, often requiring food to round them out.

My experience with Rocca di Castagnoli matches the vintage trends; though both the 2006 and the 2008 were enjoyable, the 06 was a more complete, well-rounded wine. Both featured great aromas of mushrooms and dirt, but the 2006 had rounder, riper fruit on the palate. This isn’t to say that the 08 isn’t worth trying and still one of the better examples I’ve had from that vintage, just that it probably requires some food to bring it to full enjoyment. Luckily, Chianti is one of the more versatile food wines, working well with a wide variety of foods, including pesto, tomato-based sauces, salmon, chicken and pork. We ate both with tomato-based pasta dishes, and the pairings were exemplary.

Incidentally, I purchased the 2008s from Lastcallwines.com (who ships to PA) for $15  – keep an eye out as they typically do offer the same wines multiple times.

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Feudi Sanniti Taburno Falanghina (2009)

feudi-sanniti-falanghinaPennsylvania’s state system, which is the butt of many jokes and complaints (including quite a few from yours truly), has come through with another intriguingly rare Italian varietal. Discovering wines like these is what makes the exploration of Italian wines so interesting; this one has it all: rarity, historical significance, and most importantly, flavor.

Though Greek in origin, Falanghina is a white grape common on the coast of Campania, and thus a great wine for coastal weather and cuisine. (The name, incidentally, is derivative of the Latin noun “falangae,” which refers to the stakes used to support growing vines in Greece.)

Of particular interest with this grape is the belief that it was a component of Falerno, which was perhaps the world’s first “cult” wine during Ancient Roman times. Over the years, however, it began to disappear and was on the verge of extinction before staring to re-emerge during the 1960s. Today it is one of the more popular white grapes of the Campania region.

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Grotta del Sole Piedirosso dei Campi Flegrei (2010)

grotta_del_sole_piedirossoPiedirosso (literally “red feet”, for their red stalks) is a red grape native to Campania that’s more often used for blending than as a single varietal wine. It is, however, the sole grape in Lacryma Christi del Vesuvio Rosso, a famous red grown on the banks of Mount Vesuvius (but that’s another story for another time). This Piedirosso is grown in the Phlegraean Fields (Campi Flegrei), an area west of Naples that also features volcanic soil, but lacks the heights of Vesuvius.

A particularly interesting fact about this wine is that the grapes were grown on ungrafted root stock. For those that don’t know the history, in the mid-19th century, Europe was infested with Phylloxera, a parasite that sucked all the sap out of grape vines until they died. For a long time, it appeared that the wine industry could crumble, but it was eventually discovered that the aphid was native to the Americas, and must have come over with some transported plants. American grape rootstock was immune to the pest, so a grafting technique was created that allowed native European vines to grow on top of the American roots. As such, the vast majority of vines planted today in most European wine regions are grafted.

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Falesco Tellus Syrah Lazio IGT (2009)

falesco-tellus-syrahFor a while now, Italy’s vintners have been embracing “international” varietals, and – to be perfectly honest – it’s not a trend I particularly care for. Though there is no doubt Super Tuscans have generated quite a bit of buzz, they are the main source of my consternation. It’s not that there is anything wrong with Super Tuscans – some of them are very good, but for me the ones that only contain Bordeaux varietals have me wondering “what’s the point?” Why not just drink a Bordeaux? Of course there are some that feature Sangiovese alongside the French grapes, which I find more appealing, but even then tend to prefer wines that focus on and feature natively (or longtime) Italian varietals more prominently.

As an Italian-American cook, who was raised eating and cooking Italian food, I guess I gravitated towards the “if it grows together it goes together” mentality when I started to get into wine. Varietals like Sangiovese, Barbera, Nebbiolo, Aglianico and all the other Italians are great examples of this, as they often pair wonderfully with food indigenous to the region where they thrive. Cabernet and Merlot, on the other hand, don’t often come to mind when pairing with Italian cuisine.

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La Querciolina Istriciaia Maremma Toscana (2007)

La Querciolina Istriciaia Maremma 2007One of the most difficult things about wine critique – and, before I even get into that, I should mention that I don’t consider myself a true wine critic, at least that inhabits the same space as people like Robert Parker and Steven Tanzer, or even bloggers who do actual professional tasting events, but at the same time, people who read my posts might be encouraged to buy a wine, or perhaps dissuaded from buying a wine, so in some ways, the same principles apply.

Anyway, one of the most difficult things is separating personal taste from unbiased reviews of the wine itself. There are many wines that are made very well, but not particularly in a style that I personally like. How much does one deduct from a wine’s score when the winemaker’s choices are not particularly well-liked by the reviewer, but certainly valid choices? This becomes even more relevant when the wine in question is a “crowd-pleaser” – a wine that is delicious and probably would be well liked by most people, even if that makes it somewhat less interesting to more nuanced palates.

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Baladin Nora

balladin-noraWhen I was last in Rome, I had the opportunity to visit Open Balladin, a bar & restaurant known mostly for the fact that it is one of the few restaurants in the city that doesn’t serve wine – only beer. It’s a neat place, with an impressive 140+ beers on draft and in the bottle. We had some snacks – nothing too special – but I got the impression that this place was more of a destination for drinks than for food.

Italian craft beer is undoubtedly on the rise; brewers like Balladin (based in Piemonte) are creating artisinal, complex beers. There is, of course, pretty much nowhere to go but up when it comes to Italian beer, as for many years, the only choices were bland macro lagers like Peroni and Nastro Azzuro, which may have quenched your thirst on a warm day, but offered little actual flavor.

Now, brewers are applying the same care and attention to detail that has made the country’s food and wine so famous, and the results are excellent. There’s only one real problem — this stuff isn’t cheap, even for those accustomed to paying for premium craft beer.

So, for me this isn’t exactly everyday beer. But, because it is still rather rare in the states, I’ll pick up a bottle when I see it, for the novelty, and to remind myself of my trip to Rome.

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Avignonesi Vino Nobile di Montepulciano (2007)

avignonesi-vino-nobile-di-montepulcianoFrom my experience, Avignonesi is the flagship Vino Nobile available in the US. This may, of course, vary from region to region, but this is the wine I have found most easily from New York to South Carolina, at least. In Tuscany, around Montepulciano, Fattoria Cerro was the most commonly available, and generally the cheapest Vino Nobile available at the “supermarkets”, but that’s not what we’re talking about here.

I find Avignonesi to be a great example of the style. It’s not the best one I’ve had, but it represents the region well, and would be a good, easy-to-find, reasonably priced (~$25) way to try Vino Nobile if you haven’t had it before. If you’ve ever been to this region of Italy, I think you’ll agree that this wine is it’s essence in a glass.

We paired this with a wild boar ragu (a rare find at Wegman’s this week – D’Artagnan wild boar!), which certainly contributed to the “essence of Tuscany” thing. Really, this wine can go with a wide variety of Italian fare – from grilled meats to pizza and pasta. If you can’t get wild boar, try it with pork chops with garlic, sage and white beans.

Tasting Notes:

Aroma highlights mushrooms and leather. Flavor is mostly ripe cherries, with a bit of smoke and earth. A touch of oak spice on the finish. Medium body, medium tannin. Very nice, as usual. Brief decant helps a bit.

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Conti Brandolini Treanni Friuli

brandolini treanniThis is one of my more interesting finds of late – it’s a blend of 3 grapes (33% Refosco, 33% Merlot, 34% Cabernet Franc), that’s also a blend of three consecutive vintages (“Treanni” = three years), resulting in a non-vintage release (even though the PA website lists this as a “2006″).

According to the winemaker, Count Brandolini (yes, a real Count), this creates a unique blend that “brings together the freshness of a young wine, the complexity and concentration of a two-year-old wine, and the elegance of a mature wine to yield this seamless composition of aroma, flavor and texture. [It is] vibrant and youthful, yet captivatingly complex and refined.”

I found complexity and elegance here, but I must say that I found the “freshness of a young wine” to be somewhat lacking (not knowing when this was originally released, I wonder if it was fresher at some point). The wine wasn’t vibrant at all, featured more ripe black fruit than bright red fruit (the label claimed both) and the acidity was rather muted. That said, it was interesting; it was one of those wines that changed gradually over time and offered slightly different experiences with each sip. On the downside, the dark fruit was a bit stewed.

This is definitely worth a try and a good deal at $10. I’d recommend buying a bottle, but probably not much more.

Tasting Notes:

Somewhat muted aroma leads with vegetal notes: broccoli, asparagus and a hint of graphite. Palate is dominated by dark fruits, perhaps plums. Despite the winemaker’s claim that this mixes vibrant fruits with mature fruits, I found it to be a little stewed. Finish adds some floral notes, violet as well as a touch of chocolate and spice. Evolved over time, which kept it interesting. Good QPR at $10.

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